Archive
  1. ...
  2. 2
  3. ...

OurGoods-v2
OurGoods-v2-2
OurGoods-v2-3
OurGoods-v2-4
OurGoods-v2-5

This pamphlet illustrates how OurGoods, an online network and bartering platform, enables artists to trade  labor, space, skills, and objects to accomplish independent projects.

 

LFQ-LAF-7
LFQ-LAF-6
LFQ-LAF-5
LFQ-LAF-4
LFQ-LAF-3
LFQ-LAF-2
LFQ-LAF-1

These ephemera portraits represent improvised issues of Landfill Quarterly, constructed by participants at the 2011 Creative Time Summit and exhibition.

GTT
GTT-2
GTT-3

Produced in response to a problem Ghana Think Tank collected during its residency at the Queens Museum of Art, this card is designed to mediate an immigrant-officer encounter.

 

Smith
Smith-2
Smith-3
Smith-4
Smith-5

For The Cries of San Francisco, artists hawked their goods and services by calling out into the gallery and the city streets.

skidbladnir-1
skidbladnir-2
skidbladnir-3
skidbladnir-4
skidbladnir-5
skidbladnir-6
skidbladnir-7
skidbladnir-8
skidbladnir-9
skidbladnir-10
skidbladnir-11

In Skidbladnir’s Figurehead (2009-2010), a magical ship of thirteenth-century Norse myth is used to navigate the rising waters that surround Gothenburg.

 

MV-1
MV-2
MV-3
MV-4
MV-5
MV-6
MV-7
MV-8
MV-9
MV-10
MV-11

Mass Ventriloquism filled Gothenburg’s Valsalen—the upholstered belly of a taxidermied blue whale named Carolina—with the voices of fifteen women.


 

meetings-08
meetings-07
meetings-06
meetings-05
meetings-04
meetings-03
meetings-02
meetings-01

These cards document responses to a question Brindalyn Webster posed to attendees at Bay Area community meetings: “If this meeting was a piece of architecture, what would it be?”

 

futurefarmers
futurefarmers-1
futurefarmers-2
futurefarmers-3
futurefarmers-4

Through actions ranging from gathering sidewalk soot to designing rulers based on the lengths of participants’ feet, Futurefarmers: Intervals explored methods of learning about oneself and the world by walking.

  1. ...
  2. 2
  3. ...