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In 2011, the Vancouver–based Lower Mainland Painting Co. established a temporary Artworkers Hall open to anyone who wanted to attend. Sandpaper membership cards signified their bearers’ self-identification as artists.

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These ephemera portraits represent improvised issues of Landfill Quarterly, constructed by participants at the 2011 Creative Time Summit and exhibition.

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In Imin Yeh’s Legend of the PowerAnimals, 2010 is the year of the Urban Street Pigeon. PowerAnimals stand in for the species that populate the Chinese lunar calendar, questioning ideas about authenticity.

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These capsules contain biological elements that speed tissue decay. Part of the Infinity Burial Project, the substance inside presents an ecologically responsible way to deal with death.

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This paper mahjong set is a free twenty-seven page download, and takes twelve hours to construct.

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Jeremy Deller sold Dove tree seed packets at Skulptur Projekte Münster in 2007 to promote his ten-year collaboration with Münster’s fifty-five garden associations.

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(w)hole 18 Reasons 1999 2004 2008 2009 2010 2011 2012 Bay Area California costume craft material Creative Time Summit documentation Ghana Think Tank Gothenburg Herbst instructions Jones Landfill Quarterly literature Living as Form Llano Del Rio Collective Los Angeles Murgida Netherlands newsprint New York Oakland OurGoods Parker postcard poster promotional material prop publication Robbins san francisco Swaine Sweden Temescal Temescal Amity Works Webster Yeh